These first few years have been a massive learning curve where one process leads to the next, where failures inform as much as triumphs. I have created everything from large coil built vessels to slab built free standing sculptures. But recently I have found great pleasure in exploring the human form, focusing on the face and all the complexities of expression and emotions therein.

The Process

My method is uncomplicated and totally in the moment, there are no preconceptions of what I am about to make. I work spontaneously and initially at speed and as the piece takes on a life of its own I play with form, scale and balance. Although many external influences are underpinning my work it is probably a prominent feeling or mood that leads the way which is then underscored by the glazing. 

Throughout my artistic life I have always preferred to use a pencil over a paintbrush, as a result I lean towards a muted colour palette combining oxides and slips with matt and gloss glazes. Sometimes I fire a piece several times and the more the colours build up the less I am in control of the outcome but I embrace these unpredictable results and count them as a blessing as I am continually inspired by the outcome.

What next?

I did not know what to expect when I started this adventure with clay, I had no idea where it would take me or even if I would enjoy it. Four years on, I cannot imagine life without clay, it has given my artistic endeavours propose, allowing me to unearth feelings and emotions as well as finding solace in the creative process. I am excited to see what 2024 holds for me.